Is 14 The Right Age To Get Fingerd

Text Olivia Benveniste and Céline Vacher-Olivieri

They invent volumes

share degraded

rehabilitate the idea that the pause and proceed along the acceleration drawing sheets.

Together they shape a cycle.

Celine gum stars and Olivia is growing beings.

Celine deploys from room to room a sky fairy acid in the basement.

In his sculptures, enamel adorns the ordeal. The colored streaks sign the final attack on the pride of the face, the rampart.

Olivia Benveniste talks about a life whose only weight is the shadow.

In his drawings, multiple gray-white wraps placental and radiating.

When one shows the effort to appear, the other reveals the folds of experience.

They give the dream lives materiality clashes or the silence of a fetal life.

Laetitia Bischoff

What Color Wire Connects With The Remote Wire

Descriptive text for Olivia Benveniste and Céline Vacher-Olivieri

Both graduates, a few years apart, the Ecole Superieure des Arts Decoratifs in Strasbourg, both visual artists, Olivia Benveniste and Céline Vacher-Olivieri instigates a dialogue, a ping-pong and conceptual semantics of the universe from one to the other, and vice versa .

Within this vis-à-vis, they do not dispose of identity posed: Olivia is faithful to drawing and a billion gray Celine, colorist, rocks or leaf forms installations.

They appear similar to some parts of the hollow plastic domain: each weapon the world in a technical vocabulary is the key to unfolding, paths of investigation to multiply.

At the intersection of their creations, in each face to face in-between all possible works, shapes, textures ...., An area of catalysis is created, purveyor of puzzles, malaise or surprises. Olivia and Celine ark boutent each of their piece of the requirement that no more of a control graph of the unveiling, giving rise to a meeting to lean.

Laetitia Bischoff

Toshiba Satellite L455d Driver Vista

Berelowitsch for Esther and her exposure to the Metalwork Gallery in the month of photography

With Arto Paasilinna, Esther Berelowitsch built himself many pictures before you go looking for them.

on site in Finland, it updates this Sámi dream, verifies the realities Paasilinna dumped him with his words. In search of nothing but the alert for everything, the artist adopts an attitude rhizomic that, ideas in place, paving the way.

Tittle-Tattle Perfect is a gift from those that made Jean-Simeon Chardin painting. Apart from this momentum bewildered out of nowhere, as surprised as us, textures and attitudes expressed in any measure in their scope and their peacefulness. Esther Berelowitsch makes us forget the other hand, the picturesque, to be closer to his image as a painting by Chardin. The boundaries and events go off and leave room for a meeting simple and happy, we become familiar with the image and they need us.

Laetitia Bischoff